PARTNERSHIPS

Funny short-form content. Made by people who do this for a living.

Reels and TikToks are what brands actually need, and almost nobody can make them funny.

We're two touring comedians who run a production company. We write it, shoot it, perform it, and cut it, and you get content you can post, boost, or run as paid creative.

Partnerships range from wearing your gear on tour to producing a full season of campaign creative. All of them are paid.

Start a conversation - Teresa@TheHeandSheShow.com / Teresa@flyingwstudios.com

WHO WE ARE

Flying W Studios is our production company. We make humorous, memorable, high-converting video ads for YouTube and Meta.

Our whole thesis is that funny converts, and that almost nobody in performance marketing can actually execute funny. Fourteen years of stand-up is fourteen years of professional data on what makes a stranger laugh in the first eight seconds, which is the same eight seconds your ad has to survive.

Doug is a professional writer & photographer and shoots and cuts short-form video . Teresa is a copywriter, editor and marketer. Both of them are headlining comedians with screen credits who can carry a camera without a script.

Writer, shooter, editor, and two on-camera performers, in one unit. No casting, no talent day rate, no agency markup.

WHAT MAKES THIS DIFFERENT

1. We produce, we don't just post.

An influencer delivers a post. An agency delivers a production. We deliver the concept, the script, the shoot, the edit, the performance, and the variations your buyer needs for testing. One team, one invoice.

2. We go where cameras usually can't.

Our touring calendar puts us inside private country clubs, member events, tournaments, and golf destinations across the country as invited guests. These are rooms and courses a brand cannot buy access to at any price.

If your customer is an affluent married golfer, that is not a demographic we're targeting. It's the room we're standing in.

3. We're funny on demand.

Most branded content fails because it's competent and forgettable. Humor is the hardest thing to buy and the easiest thing to remember. It's also the only thing that survives a skip button.

4. We're always shooting.

The tour is a rolling production. Courses, clubhouses, tournament fields, the fifth wheel, the road, and a live audience laughing on camera. Partner content gets made inside real footage of real life, not staged in a studio pretending to be outdoors.

WAYS TO WORK WITH US

Three lanes, light to heavy. Most partnerships start in the first and grow.

LANE ONE: WEAR IT & USE IT

SHORT-FORM CONTENT

Reels, TikToks, and vertical video. The thing you actually came here for.

Scripted, performed, shot, and edited by us. Multiple hooks per concept so your buyer has something to test, delivered in the formats and ratios you need.

Comedy is the hardest thing to fake and the only thing that survives a thumb. Fourteen years of stand-up is fourteen years of hard data on what makes a stranger laugh in the first three seconds, which is the entire job in short-form.

Delivered to you, posted by us, or both.

Usage rights are priced separately, as they should be. An organic post on our channels is one thing. Whitelisting, paid amplification, and use in your own ad accounts are another, and we'll quote them clearly.

ON STAGE, ON CAMERA, ON COURSE

Apparel, equipment, eyewear, footwear, bags, tech.

We wear it and use it: on stage in front of live audiences, in every video we shoot, on courses across the country, and everywhere the tour goes.

Two performers, seen nightly, photographed constantly, playing hundreds of rounds a year. A comedian on stage is looked at for ninety uninterrupted minutes by a room full of people, which is more sustained attention than almost any placement money can buy.

How it's structured: product supply plus a fee. The product covers the product. The fee covers the visibility, the content, and the rights.

PRODUCT INTEGRATION & FIELD TESTING

For equipment, apparel, tech, and vehicles.

A step further than wearing it. Two golfers of genuinely different abilities, playing hundreds of rounds a year on hundreds of courses, on camera. One a lifelong player, one who came to the game as an adult, which happens to be the two customers most golf brands are trying to reach at once.

Honest use across a season produces better content than a single sponsored post, and it's the format audiences still trust.

LANE TWO: STAY & PLAY

GOLF RESORTS, DESTINATIONS & COURSES

Host us. We'll do the rest.

This is the partnership we most want to be doing.

Golf resorts, stay-and-play destinations, tourism boards, and standalone courses: put us on property, and we turn the visit into content, coverage, and in many cases a live show for your guests.

What we bring:

  • A couples angle nobody else has. Most golf travel content is four guys on a buddies trip. We're a married couple with a fourteen-year show about marriage, which reaches the person who decides whether the trip happens at all: the spouse.

  • Produced content, not a phone dump. Doug shoots and edits. Course films, room and property coverage, short-form vertical for your social, and stills you can license.

  • A live show for your guests. We can perform in your ballroom, on the patio, or at your event while we're there. That's an amenity your guests remember and you didn't have to book separately.

  • The podcast. Around the World with The He & She Show, where the destination becomes an episode.

  • Real reach into golf clubs. We're performing at private clubs across the country all year. Your resort comes up in conversation with exactly the golfers you want booking a trip.

How it's structured: rooms and tee times, plus a fee scaled to scope and deliverables. The inventory covers our stay. The fee covers the production, the performance, and the rights. Even so, it's the cheapest premium content most resorts will ever buy, because you're paying in nights you already have.

Available as a single visit, a multi-property tour, or a season-long destination partnership.

LANE THREE: FULL PRODUCTION

CREATIVE PRODUCTION

Ads, made properly. No tour required.

Concept, script, shoot, edit, and delivery of performance creative for YouTube and Meta. Multiple hooks and cutdowns per concept so your buyer has something to test.

This is the core business. Everything below is built on top of it.

PRESENTING PARTNER

The tour, and everything it produces.

Your brand attached to the tour across a season: content produced throughout, integration into the show where it makes sense, presence at every date, and first position in everything we publish.

The deliverable isn't visibility. It's a season of original creative shot in places your competitors can't get into, plus the audience that comes with it.

Limited to one brand per category.

THE ROAST HOLE, PRESENTED BY YOUR BRAND

On-course activation with a camera on it.

At tournaments we set up on a par 3 and give every group live commentary, unsolicited marriage advice, and a gentle roast as they play through. Or the Boast Hole version, where every group gets a champion's welcome instead.

It's the most photographed hole on the course, the thing everyone talks about at dinner, and it produces short-form video of real golfers reacting in real time. Branded, captured, and delivered.

EVENT ACTIVATION

Where the industry already is.

Major championship weeks, national tournaments, and festivals. We're there, we're working, and we can build an activation around your brand while everyone who matters is in town.

LIVE PERFORMANCE

Your event, our show.

Corporate events, hospitality suites, dealer meetings, sales conferences, and client entertainment. We'll use humor to deliver your message rather than just ours.

THE AUDIENCE

Married couples. Adventurous. Affluent enough to belong to a club or travel to play one. Comedy fans, golfers, and a lot of people who are one because their spouse is the other.

They follow the tour because they like the people, which is the only reason a recommendation ever works.

HOW WE WORK

Every partnership is paid. Product, rooms, and tee times cover product, rooms, and tee times. They don't cover writing, shooting, editing, performing, or the rights to use what we make. Those are the work, and the work has a fee.

We say this plainly because the alternative wastes everyone's time. We're a production company, not a couple looking for free clubs.

What that gets you: professionals who hit deadlines, deliver in the formats you asked for, quote usage rights up front, and won't disappear halfway through a campaign.

LET'S TALK

Tell us the brand, the customer, and what you're trying to move. We'll come back with a proposal, not a rate card.

Let’s set up a time to talk: teresa@TheHeandSheShow.com